Monday, October 18, 2010

Halloween Horror

Yesterday there was a beautiful five pound pumpkin sitting proudly on our front steps.  Today?  The squirrels had a feast.

Saturday, October 16, 2010

Duck Stamp!



The winner of the 2010 Federal Duck Stamp Contest has just been announced.  Two of my brothers entered this year – Bob and Jim.  Out of 236 entries, their paintings were numbers one and two.  Woo-hoo! 


First place went to Jim for his painting of a pair of white-fronted geese.

Second place went to Bob for his painting of a single white-fronted goose.


Third place?  To quote from the movie A Serious Man, “Who cares?”

My brothers are so amazing cool I can hardly stand it.  Mary isn’t home at the moment, so I’m going to go jump up and down with Rene and Jacques (the poodles) now.  Jacques knows something is going on – he’s giving me the stink eye.


Late-breaking news:  Jim finished in a tie with brother Bob after three rounds. Jim's entry won the tie-breaker.

Ten Reasons Why Not

There are a lot of writers - both published and unpublished - who want to write novels for teens, better known as "YA" novels. Having worked with several such writers, I've noticed that in many cases their motivations are often not exactly, shall we say, useful. Or realistic.
Herewith, the Ten Worst Reasons to Write a YA Novel:
1. For fame
2. For fortune
3. To tell teens how they should act
4. To tell teens what it was like when you were a kid
5. To gain the respect and admiration of your peers
6. To gain the respect and admiration of your children
7. Because you think it will be easier than writing an adult novel
8. Because you think it doesn't have to be as good as an adult novel
9. To relive your teenage years
10. To revise your teenage years
The best reasons? I'll leave that up to you.

Thursday, September 30, 2010

Doing Good Work

Author Swati Avasthi (Split) is conducting an online auction of books, manuscript critiques, and other good stuff to support the Family Violence Prevention Fund. Among the many items up for auction is includes a set of "The Bloodwater Mysteries" written by me and Mary Logue, and manuscript critiques by several well-known authors, agents, and editors.
Check it out! This is a great way to help out a fine organization, and maybe score something good for yourself, too!

Tuesday, September 28, 2010

The Fly Agaric

This morning I came across a patch of about fifty of these beauties (Amanita muscaria). Some people have been known to eat them for the hallucinogenic effects. I've never met anyone who wanted to try it twice.

Friday, September 24, 2010

Mushroom Soup

It has been a great fall for mushroom hunters here (Minnesota and Wisconsin). Here's a "hen of the woods" (Grifola frondosa), also known as a maitake. I've found several of them this year. This specimen weighed about seven pounds, which translates to a big pot of intensely flavorful mushroom soup.

Hen Soup

2 pounds fresh hen-of-the-woods (maitake)

¼ cup finely minced shallot (or onion)

2 tablespoons butter

1 quart water plus 1 quart homemade chicken stock (you could use all water)

1 teaspoon fresh thyme (or ¼ teaspoon dried thyme)

¼ teaspoon pepper

1 cup milk or (gasp!) cream (optional)

1-2 tablespoons olive oil

Salt

Garnish

Cut up the mushroom, dividing it into two piles. Pile One should include all the raggedy bits. Pile Two should consist of the nicer bits—small whole “caps,” nicely diced pieces, etc. Things you want to see in your spoon when you eat the soup.

In a medium-size pot (a three or four quart pan with high sides) sauté the shallots and mushrooms (Pile One only) in butter. Don’t be afraid to let the mushrooms brown. Brown is good!

Add the thyme, pepper, and stock. Bring to a simmer and cook for thirty minutes.

Pour the whole mess into a blender and pulverize it. Give it a good sixty seconds. You want to get it to the point where it will pour through a strainer. Return the mixture to the pot. (Don’t bother with the straining—you pulverized it sufficiently, no?)

Heat a sauté pan REALLY HOT. Add olive oil. It should start smoking almost immediately. Throw in Pile Two (the nicer mushroom pieces) and let them cook for a few minutes without stirring—you want them a little crispy on the bottom. Turn off heat and add a ladle or two of the blended mixture. Stir it around to deglaze the sauté pan, then pour it all back into the pot with the rest of the blended mixture. Simmer for about ten minutes.

Add milk or cream, if using. Salt to taste, then cook on low heat just long enough to bring it up to serving temperature.

Serve, with garnish.

The garnish is mostly to tell your guests that you have been paying attention, and to interrupt the unrelenting brownness of the soup. A little chopped parsley is sufficient. Maybe some crumbled bacon. If you want to get fancy, a dollop of crème fraîche is sure to impress.

Sunday, September 19, 2010

Blank Confession Video: The Final Chapter

I had a lot of fun making these three short videos. I learned a lot about what works, and even more about what doesn't work. I also learned about the painful reality of working within a budget. Like most authors, I'm paying for my own book trailer. Of course, I have no idea whether it will make anybody buy a book, and I probably never will know. Good thing it was fun to do!
If you haven't seen the first two parts, either scroll down a few posts, or click here and here.
I'm working now on a different sort of book trailer for The Big Crunch, which is coming out in January. It's going to have animations, clips, more stupid jokes, and best of all, I am NOT going be on screen.
One more thing - I want to thank Max Selim, who organized, directed, and edited the Blank Confession videos, and Nick Grady, who did the camera work. Max has some cool shorts posted on his YouTube channel. Check him out!

Wednesday, September 15, 2010

HAHAHAHAHAHAHAHAHAHAHA!!!!!

Here are my two favorite "one star" reviews of my book INVISIBLE from Amazon.com. I love the internet!
1.0 out of 5 stars HORRIBLE, July 13, 2010
Amazon Verified Purchase(What's this?)
This review is from: Invisible (Paperback)
HORRIBLE PACKAGING! The book was jammed in this small box! the pages are bent and curled, the cover is crumbled and creased! it was awful!
1.0 out of 5 stars Invisible, March 5, 2010
Amazon Verified Purchase(What's this?)
This review is from: Invisible (Paperback)
This is a review about the company in Colorado that sold me the book. I have been ordering books for years on line and this was the first time that it took over 15 days to get to me when it usually takes less than five. I will not order from them ever again and want my comments noted.

Friday, September 10, 2010

Blank Confession Video - Part Deux

The battle to bring BC2 to the tiny screen has been fierce and long. We had do deal with actor meltdowns, the gaffer strike, a missing Best Boy, uncooperative aspect ratios, insanely complex bit rate issues, and an epic legal battle with a lawbot named Bork over miniseries rights. In order to get our PG13 rating, we had to edit out the vampire sex and overdub certain off color remarks made by one of the characters. We also took out the Quran burning and the Marlboro Lights product placement. Censorship. Bah!
If you have not viewed "Blank Confession Part One," please do so now lest you miss the heavily nuanced elements in Part Two.
"Blank Confession Part Three" is coming soon, whether you want it to or not!

Wednesday, September 8, 2010

Like Hate Love

The new trade edition of Sweetblood went on sale last week, triggering conflicting pleasure/pain receptors in my hippocampus which, you should know, has nothing to do with higher education for semiaquatic ungulates. The cover of the new edition features candy-colored lips and pointy teeth against a deep purple background. It looks delicious. I like it. I hate it. I like it. I hate it. I like it. Somebody stop me, please!
Thank you!
Some history: The first edition of Sweetblood,
way back in 2003 when there were only a gajillion vampire novels (as opposed to today's kahunkabazillion), was a graphic designy image of a twenty-something woman with tasteful blood spatters across the cover and the tagline "A Vampire Novel." It was an okay cover, although I thought the tagline to be slightly deceptive inasmuch as there are no "real" vampires to be found in the book. Still, it was about vampires. Sort of.
Anyway, I figured as long as the cover encouraged more people to look at the book, it was okay. I liked it. I sort of didn't like it. It was a book cover. Whatever.
A couple of years later, the book was issued in small format paperback, and the designers took a different tack: this time, they used a photograph of a young model who perfectly represented the character I had in mind when I wrote the book. It suggested a goth-like, vampire-ish story about a character, and I loved it, I loved it, I loved it, despite the clunky typography. How often does that happen? Hardly ever.
Back to the new cover and the love/hate thing. From an author's point of view, there are three things a book cover should do:
1. It should look good.
2. It should sell the book.
3. It should be true to the book.
The new Sweetblood cover, IMHO, easily meets condition #1. It looks stupendously lickable. I think it will accomplish #2 as well - at least I hope so. As for #3...I dunno. I think most people who buy the book based on the cover will be expecting fangs and blood. Some of them will be disappointed.
I think the neck-biting promise made by the cover takes away from the story. Imagine yourself sitting down to watch, say, "Eat Pray Love" after being told it was a movie about carnivorous alien invaders. The whole time, you'd be looking for flying saucers and waiting for Javier Bardem's lips to peel back and reveal an extra set of jaws. Kind of distracting.
On the other hand, being told that "Eat Pray Love" was about an alien invasion is probably the only way I'd ever pay to see it.
Like. Hate. Love.

Thursday, September 2, 2010

It's Heeeeere...

After months of rigorous casting and set-building, hundreds of rewrites, filming under the most treacherous conditions imaginable, and a lengthy negotiation with Pixar over the use of proprietary CGI effects, "Blank Confession: The First Sequence" is now available for viewing. Parts Two and Three will be released over the next few weeks. The 3-D version will be released in selected theaters only in Botswana and the Falkland Islands. An extended Director's Cut is in the works, and we have sent promotional packages to select members of the Academy.
Suitable for viewing with or without popcorn.
Blank Confession (the novel) will be published on November 16, 2010, by Simon & Schuster Books for Young Readers.

Friday, August 20, 2010

The Egg and I

I am delighted to report that my fifteen seconds of internet fame have nearly expired. My part in the Humble, Texas affair is mostly over, and I hereby return this blog to its weirdly eclectic mix of food, mushrooms, writing, and other distantly-related topics.

Many years ago, when I was in my twenties, a friend of mine told me he was looking for a mentor—an older, more experienced man who would help him in his career and in other aspects of his life. I asked him how he planned to find such a person.

He said, “It’s easy. These old dudes, when they get into their fifties and sixties, they realize that they have learned a lot of stuff over the years, and that they might be dead soon. It’s like a biological imperative—they don’t want their knowledge to die with them, so they look for a younger guy to share it with.”

I thought that was an odd way to look at it. But now that I am well into my fifties, I find myself experiencing that urge to share. Therefore, tomorrow, I am going to tell everyone who visits this blog how to properly poach a freaking egg. Stay tuned!

Speaking of eggs, Part One of my “Blank Confession” video will be posted here very soon—I'm aiming for a week from Monday.

Tuesday, August 17, 2010

The Nasty Thing in the Corner, Part Two

Wow, that’s a lot of comments! Thank you for your supportive words.

And thank you also to those who took the time to post their dissents. Allow me to respond to a few:

To “A Teen Librarian”: I agree that teens should not have to pay for the political battles of their elders. But they do, every day, in more ways than I can count. I wish I could have figured out a way to attend TLF without hating myself for doing so, but I could not.

To “Paul”: I understand what you are saying and I respect your point of view, although I disagree. BTW, I have deleted no posts here—your insinuation is gratuitous.

To “Nate”: You are technically correct about my misuse of the term “censorship.” My use of the term is deliberate. We all know that the “uninviting” of Ellen H. was not literally censorship. It would be more accurate to say it was “the active suppression of an author to discourage teens from reading her books.” (Can we find an acronym in that? Wait a sec…okay, how about Activist School Suppression of Hopkins’ Access to Teens. I’m sure there’s an acronym in there someplace!) In any case, elephant or mastodon, it’s still a pachyderm. We all know what we're talking about. They may not have literally “censored” Ellen Hopkins, but their actions point to a similar intent.

To “Whoa Nelly”: First, I love your handle. And you are right in what you say, however, I believe that each of us has a point at which we must say, “Whoa, Nelly! I’ve had enough! I have run out of cheeks to turn! It’s time for some melodrama!” I reached that point last week.

Hey, I’m not sure, but I think the Thing in the Corner got a little smaller today!

Monday, August 16, 2010

The Nasty Thing in the Corner

I don’t often talk about censorship for much the same reason I don’t often talk about creationism, dog fighting, or Rush Limbaugh. Despite a lifetime of contrary evidence, there is still a part of me that believes that if you ignore that nasty thing squatting in the corner of the room, it will go away.

It does not go away.

Last week I received an email from wildly-popular YA author Ellen Hopkins (Crank, Impulse) letting me know that she had been “uninvited” to the 2011 Teen Lit Fest in Humble, Texas. Ellen made it clear that she was majorly pissed-off about it.

The biennial Teen Lit Fest (TLF) in Humble (a suburb of Houston) has become one of the premier teen literature festivals in the country. By all accounts, it is a friendly, well-organized event where teens can meet their favorite authors, and authors can connect with their teen readers. The high school and middle school librarians behind the event are a passionate and dedicated group with a deep love of teen literature.

Events like TLF are one of the best ways to encourage reading in teens, and they are important to authors as a way to get exposure for their books. When I was invited to be one of the featured authors at TLF 2011, and offered a generous honorarium to do so, I was thrilled.

Then I got that email from Ellen.

Censorship of children’s literature can take many forms. In its most blatant incarnation, books are removed from classrooms and libraries. Thankfully, this does not happen often. But there are more insidious forms of censorship.

In Ellen Hopkins’ case, she was invited to TLF, she accepted…and then, a few months later, the invitation was rescinded. Apparently, “several” parents were disturbed by the content of Ellen’s books, and objected to having her at the festival. They brought their concerns to the festival organizers, and one (one!) school librarian agreed with their concerns, and recommended to the school superintendent that Ellen be asked not to come. The superintendent went along with the one (one!) librarian’s recommendation. I believe that virtually every other librarian in the Humble ISD was embarrassed and furious over this decision.

Although Ellen might understandably take this matter very personally, it really has nothing whatsoever to do with the content or quality of her work. Whether she writes well or responsibly is immaterial. I wrote a post a couple of years ago addressing that issue.

What is important is that a handful of people – the superintendent, the one (one!) librarian, and “several” (three? five?) parents – took it upon themselves to overrule the vast majority of teachers and librarians and students who had chosen one of the most popular YA authors in America to be their headliner.

That is a form of censorship as damaging and inexcusable as setting fire to a library.

Over the past fifteen years of visiting schools and libraries I have been “uninvited” on two occasions. It is a terrible thing to be told by educators that your life’s work is “inappropriate” for its intended audience. In both cases, I did nothing. I didn’t want to further embarrass the librarians who had invited me - they were already mortified. I just wanted to leave a sour experience behind and get on with the next thing.

I now believe that was a mistake. The political and philosophical problem of censorship, in all its forms, harms all of us, and each of us has a responsibility to fight it. I cannot help but think that those same people who objected to Ellen Hopkins’ work might find some of my books equally disturbing.

And you know what’s really scary? Here is how the Humble ISD superintendent responded to a letter from one of the librarians who objected to his decision:

“…there are more authors that we would want at our Teen Lit Fest than we could ever have enough Teen Lit Fests to accommodate.”

Apparently he subscribes to the commodities model of educating our children. Creeps me out something fierce.

A few years ago, at a National Book Awards banquet, I met Judy Blume. She had just delivered a passionate speech about censorship. I joked, “Hey Judy, how do I get MY books challenged? I think it would be good for sales.” Judy was not amused. She looked at me and said, in a voice as dry as ash, “It will happen, and you will not like it.” She was right on both counts.

And so, as one of the other participating authors, I felt that the right thing to do was to withdraw from the festival, and so I did.

At least one of the other authors, Melissa de la Cruz, has also withdrawn from the festival. I don’t yet know about the other five.*

This whole business makes me sad. There are, I don’t know, maybe a hundred thousand or more good people in the Humble school district. They should be mad as hell, every one of them.

*UPDATE (8/16): Tara Lynn Childs has also withdrawn from the festival.

UPDATE (8/17): Matt de la Pena has withdrawn.

UPDATE: Festival canceled. Very sad.

UPDATE: I have decided to give up writing to become an actor. Click here for a sample.

The illustration above was created in five minutes on my iPad using a really cool little app called Brushes.

Friday, August 13, 2010

BLANK CONFESSION

I just watched the rough cuts of the BLANK CONFESSION videos. Philip Seymour Hoffman, you have nothing to fear!
Not even Keanu Reeves needs to worry.
Fortunately, I'm working with professionals whose job it is to make me look good. I'll be posting the first video in late August.

Monday, August 2, 2010

Sweetblood Trailer

Just in time for the reissue of Sweetblood, here's an impressive trailer I ran across on YouTube. Nice job, Margo!

Monday, July 26, 2010

Beware of Falling Rocks

Yeah, I know, I wrote RASH five years ago - but I'm still on that pulpit poking fun at how overprotective of our children (and of ourselves) we have become. Recently, I have been discovering that I am not alone. Here's an opinion piece from Forbes, commenting on (among other things) a school that ordered some specimen rocks from a scientific supply company, then decided it was too dangerous for their geology students to handle actual rocks.
They will now be learning about rock types from a poster.

Wednesday, July 21, 2010

Action!

We're shooting a video tomorrow. Three of them - a sort of mini-trilogy. Think "Lord of the Rings" in 180 seconds. Here are a few of the props.
The stun gun is an antique, but I assure you it delivers a reliable 40,000 volts. Ouch.
Look for it on YouTube in August.

Saturday, July 10, 2010

Chanterellicious

This has been an amazing year for chanterelles in southern Minnesota. My brother Bob and I picked about ten pounds the other day. Here is a small portion of our find:

Too many to eat, so I cooked a bunch down and froze them for future consumption.

I also put some up in Everclear. After a week or so I’ll strain the liquid into a pretty aperitif bottle and have a fabulous chanterelle-flavored aquavit—good for judicious sipping, or to deglaze a steak pan.

Chanterelles are a member of what I call the Four Fabulous Feral Fungi. (The other three are morels, porcini, and truffles.) The flavor of fresh chanterelles is intense, wonderful, and entirely unlike any other mushroom. Some people say they taste like apricots. I think those people are overly influenced by the color. Although they do have a fruity quality, the flavor is not apricot, IMHO. It’s…chanterelly.

But then, just yesterday, I bought some “white-fleshed peaches” at Cub Foods because they were on sale. I tasted one last night and it tasted exactly like a chanterelle. To quote my friend Dougie Hanson, “I find that very strange indeed.” I've had white-fleshed peaches before, but not the chanterelle-flavored variety.

Here is my favorite chanterelle recipe. It’s always fantastic. The basic idea came from Bill Buford’s book Heat. This recipe is remarkably protean—every single ingredient (even the chanterelles) is amenable to substitution or elimination. I've made variations that include smoked hog jowl, salmon, ramps, chipotles, and various cheeses. You might even want to try adding a little sweet sherry or port. But first try this basic, no-frills version.

Chanterelles with Pasta

Ingredients:

1 pound fresh chanterelles*

1 tablespoon olive oil

1 teaspoon fresh thyme leaves**

¼ cup finely minced shallots

2 tablespoons butter

¼ cup heavy cream (optional)***

¾ pound farfalle (bowtie) or a similar quantity of other pasta****

¼ cup finely chopped parsley leaves (or you could use peas. You want something green.)

Cooking directions:

If chanterelles are large, slice them lengthwise into halves, or quarters if they are ginormous. Keep in mind that they will cook down to less than half their size.

Heat salted water in a large pot for cooking pasta.

Heat a large (12 inch+) saute pan. Let it get smoking hot.

Add olive oil, wait a few seconds, then add chanterelles to the pan. Cook on high heat (stirring no more than once or twice) for six or seven minutes, or until the mushrooms release their water and start to brown.

Add thyme and shallots. Cook for 2 minutes.

Stir in butter. Turn off heat and set aside.

Add pasta to boiling water and cook for two minutes less than you think it needs.

Drain pasta and add to the mushrooms in saute pan. Turn heat up to high. Stir in cream and cook over high heat two or three minutes, or until the sauce thickens and coats the pasta.

Garnish with minced parsley.

For those who insist on putting cheese on absolutely everything, serve with grated parmesan reggiano or hard cheese of your choice.

* DO NOT substitute dried chanterelles. Just don't. Trust me.

** It pains me to pay three or four bucks for those little packages of fresh herbs at the grocery store, so I don’t. Except for thyme. A package of fresh thyme goes a long way, it lasts for weeks in the crisper, and it is SO good.

*** If you want to skip the cream (I usually do), save a bit of the pasta water and use that to thin the sauce

**** The quirkily formal shape of farfalle, or bow-tie pasta, visually complements the chanterelles, but I find fresh fettucini to be more texturally appealing. Your call.