Wednesday, January 16, 2019

Why “Creep” isn’t on the ROAD TRIPPED Playlist

“Creep,” Radiohead’s first single, was the song that inspired me to begin the novel that became Road Tripped.

Released in 1992, “Creep” was a huge hit, and was consequently grossly overplayed. For casual listeners, it defined Radiohead. Musically, it is not as interesting and complex as their later work, and for many years they refused to perform it. Nevertheless, it is a seminal work, and will remain forever in my top twenty-five pop tunes. Maybe even in my top ten. The lyrics are brilliant and perfect—they speak to every young person who has felt shy, awkward, unattractive, and worthless—in short, nearly all adolescents and, at times, most adults.

When Thom Yorke sings, “I want you to notice, when I’m not around,” you hear a character who is so unsure of himself he can’t even imagine saying, “I want you to miss me.” He can hardly imagine a reality in which she, the object of his fascination, knows he exists.

Back in August of 2013, I began work on a novel about a stalker—a teen boy who becomes obsessed by an ex-girlfriend. The working title was “Creep.” I was thinking about the Radiohead song, and about Scott Spencer’s novel Endless Love, a book that made a big impression on me when I read it thirty-odd years ago. But as often happens, the story I set out to tell was not the one I ended up telling.

Stiggy Gabel, my “stalker,” began as a rather one-dimensional character. As his backstory grew and sent out tendrils, he became less monomaniacal, more complex, more sympathetic, more human. The story became less about his obsession and more about depression, loss, the grieving process, and things we think and do to stay sane when the world feels broken. The stalking element almost disappeared. The title changed from “Creep” to “Crock,” and finally to “Road Tripped.”

Road Tripped has a playlist from Stiggy’s recently deceased father’s iPod, which he carries with him on his solo road trip. The songs I selected relate to Stiggy’s journey, and I was strongly tempted to include “Creep” among them, since it was important to the genesis of the story. But other songs by, Concrete Blond, Pixies, Amy Winehouse, and others seemed to me deeper and less “mono.” Radiohead didn’t make the cut.

No comments: